Different delays can be assigned to different inputs, giving flexibility with alternative content sources that often require different delays.
A separate adjustable global audio delay is assigned to each digital input to ensure that sound and picture are perfectly synchronized during digital cinema presentations. (In this way, both the DMA8Plus and the DA20 may share the cinema processor’s six-channel input format.) The unit also provides a switched “through” connection for external film audio decoders or six-channel analog sources such as the Dolby DA20. See screenshots, read the latest customer reviews, and compare ratings for Dolby Access. Download this app from Microsoft Store for Windows 10, Xbox One. Dolby Media Producer software delivers cost-effective. Individual digital sources can be selected rapidly using dedicated front-panel buttons.ĭolby Digital Plus™. 
The DMA8 Plus is easily set up via a laptop computer, and can be controlled by your cinema’s automation system via standard GPIO automation, serial, or Ethernet commands.
Analog audio outputs are calibrated to cinema processor reference levels to ensure a straightforward interface with your cinema’s existing sound processor.
Two-channel audio sources can be decoded as discrete L/R, Dolby Pro Logic, or Dolby Pro Logic II.
The DMA8 Plus has four separate digital inputs and will accept up to eight channels of PCM digital audio as well as Dolby Digital and Dolby E bitstreams. The Dolby DMA8 Digital Media Adapter is a simple solution for equipping a cinema sound system ready for digital cinema and alternative program sources with digital audio such as live broadcasts. The CP650 is the only all-digital cinema processor capable of playing back both digital and analog Dolby soundtrack formats. Also at IBC this year, Dolby will support the conference's Digital Cinema, providing technical support and cinema equipment, including a Dolby CP650 Digital Cinema Processor and DMA8 Digital Media Adapter. The LM100 simplifies program audio level measurement by quantifying the perceived loudness of dialogue within broadcast programming, and presenting the results in an easy-to-understand numerical format. Differences in loudness levels between programmes, or between programmes and commercials, are a major annoyance to TV viewers. Dolby will also demonstrate the Dolby LM100 Broadcast Loudness Meter, a product that reflects Dolby's ongoing commitment to improving the audio experience in broadcasting. To demonstrate the application of Dolby technologies, the booth will include a range of HD-ready set-top-box products from Dolby's broadcast manufacture partners.
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